Profil użytkownika peter-travers
Don Jon (2013)
i 1 inne zdjęcie
Gordon-Levitt won't take safe for an answer. So Don Jon tends to stumble as it finds its feet. Still, you leave this movie feeling had at instead of had. The experience is elating.
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Thanks for Sharing (2012)
Thanks for Sharing is all over the place trying to find a tone, but it knows where its heart is.
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Enough Said (2013)
i 2 inne zdjęcia
It sounds like rom-com hell. And it would be if Gandolfini and Louis-Dreyfus weren't such an appealing pair of misfits. It's a pleasure just to watch them spar.
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Blue Caprice (2013)
Blue Caprice is a cinematic punch to the gut, a mind-bending meditation on how to mold a killer, and one of the most potent and provocative true-crime movies ever made.
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Adore (2013)
i 2 inne zdjęcia
Working from a script by the gifted Christopher Hampton (Dangerous Liaisons, Atonement), who seems to have traded his wit for a paycheck, Fontaine manages the trick of making sex joyless....
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Getaway (2013)
i 2 inne zdjęcia
When Macbeth said, "It is a tale told by an idiot, full of sound and fury signifying nothing," he must have had visions about Courtney Solomon's Getaway, a car chase thriller with zero th...
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Short Term 12 (2013)
i 2 inne zdjęcia
Rehab movies nearly always make me cringe, as if the audience needs to take medicine, as if hope needs to be force fed. Short Term 12, an exceptional film in every way, breaks the mold.
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Paranoia (2013)
It galls me that Hollywood thinks we're shallow enough to swallow this swill. Or am I just being paranoid?
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jOBS (2013)
i 1 inne zdjęcie
Jobs is a one-man show that needed to go for broke and doesn't. My guess is that Jobs would give it a swat.
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Elysium (2013)
i 1 inne zdjęcie
Like District 9, an allegory of apartheid that took four Oscar nods and put Blomkamp on the map, Elysium delivers sci-fi without dumbing it down. It's a hell-raiser with a social conscience.
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